I.鑻辨眽缈昏瘧鍘熺悊绗竴璁诧細浠€涔堟槸缈昏瘧锛?/p>

銆愪緥1銆?The history of a tree from the time it starts in the forest until the boards which it yields are used, would form an interesting and, in many instances, an exciting story.

(“×”鍙疯〃绀鸿瘧鏂囨湁闂锛屼笅鍚?

×鏍戠殑鍘嗗彶寮€濮嬩簬妫灄涓紝鐩村埌鐢熶骇涓烘湪鏉垮悗琚娇鐢ㄤ负姝紝鎴愪负涓€涓湁瓒ｄ笖鏈夎澶氫簨渚嬬殑婵€鍔ㄤ汉蹇冪殑鏁呬簨銆?/p>

涓婇潰杩欏彞璇濈殑鍘熸枃瀹為檯涓婁富瑕佽浜嗕袱鐐瑰唴瀹癸細

1銆佹爲鐨勫巻鍙茬殑璧疯縿鏃堕棿

2銆佹爲鐨勫巻鍙叉槸鎬庢牱涓€鍥炰簨

銆愯瘧鏂囥€戜竴妫垫爲锛屼粠瀹冨湪妫灄涓敓闀胯捣鐩村埌琚埗鎴愭湪鏉夸娇鐢ㄤ负姝紝杩欐鍘嗗彶浼氭瀯鎴愪竴涓ザ鏈夎叮鍛崇殑鏁呬簨锛屽湪寰堝鎯呭喌涓嬭繖涓晠浜嬪崄鍒嗘縺鍔ㄤ汉蹇冦€?/p>

銆愪緥2銆?There are two regulatory systems which interact. One timing system comes from the evidence of our senses and stomachs, and the periodicity we experience when living in a particular time zone.

×鏈変袱涓皟鑺傜郴缁熺浉浜掍綔鐢ㄣ€備竴涓畾鏃剁郴缁熸潵鑷簬鎴戜滑鐨勬劅瀹樺拰鑳冪殑璇佹槑锛屽氨鏄綋鎴戜滑鐢熸椿鍦ㄤ竴涓壒瀹氱殑鏃跺尯鎵€缁忓巻鐨勫懆鏈熸€с€?/p>

銆愯瘧鏂囥€戜汉浣撴湁涓や釜鐩镐簰浣滅敤鐨勬椂闂磋皟鑺傜郴缁熴€備竴涓椂闂磋皟鑺傜郴缁熶緷鎹劅瀹樺拰鑳冨彂鍑虹殑淇℃伅锛屼緷鎹垜浠敓娲诲湪鏌愪釜鏃跺尯鎵€浣撻獙鐨勫懆鏈熸€ц寰嬨€?/p>

瀵绘壘瀵圭瓑璇嶈鍜岀粨鏋勭劧鍚庡皢鍏朵覆鎺ユ垚鍙ョ殑缈昏瘧鏂规硶锛屽父琛ㄧ幇濡備笅锛?/p>

1銆佺畝鍗曡鍙ョ殑璇戞枃铏界劧鐢熺‖锛屼絾鍩烘湰鍙銆傚锛?/p>

銆愪緥3銆?I can see three different types of composers in musical history, each of whom creates music in a somewhat different fashion.

×鎴戣兘鐪嬪埌闊充箰鍙蹭笂鏈変笁绉嶄笉鍚岀殑浣滄洸瀹讹紝浠栦滑涓瘡涓€涓汉浠ユ煇绉嶄笉鍚岀殑鏂瑰紡鍒涗綔闊充箰銆?/p>

銆愯瘧鏂囥€戞垜鍙戠幇闊充箰鍙蹭笂鏈変笁绫讳綔鏇插锛屼粬浠悇鑷殑闊充箰鍒涗綔鏂瑰紡鏈夋墍涓嶅悓銆?/p>

2銆佽緝澶嶆潅璇彞鐨勮瘧鏂囦技閫氶潪閫氾紝鐢氳嚦涓嶇煡鎵€浜戙€傚锛?/p>

銆愪緥4銆?The traditionalist type of composer begins with a pattern rather than with a theme. The creative act with Palestrina is not the thematic conception so much as the personal treatment of a well-established pattern.

×浼犵粺涓讳箟鍨嬩綔鏇插濮嬩簬鏌愮鏍艰皟鑰岄潪鏌愮涓婚銆傚笗鑾辨柉鐗归噷绾崇殑鍒涗綔琛屼负涓嶅お鍍忓鍥哄畾鏍艰皟杩涜涓€у寲澶勭悊鐨勪富棰樻蹇点€?/p>

銆愯瘧鏂囥€戜紶缁熷瀷浣滄洸瀹舵槸浠庡舰寮忓嚭鍙戣€屼笉鏄粠涓婚鍑哄彂杩涜鍒涗綔鐨勩€傚笗鑾辨柉鐗归噷绾崇殑鍒涗綔涓嶆槸涓婚鐨勬瀯鎬濓紝鑰屾槸瀵瑰浐瀹氬舰寮忕殑涓€у寲澶勭悊銆?/p>

3銆佸吀鍨嬬殑鑻辫琛ㄨ揪褰㈠紡鍦ㄦ眽璇棤娉曟壘鍒板绛夊舰寮忥紝缈昏瘧鏃犱粠鐫€鎵嬨€傚锛?/p>

銆愪緥5銆?Find yourself. Be yourself. Popularity will come -- with the people who respect you for who you are.

銆愯瘧鏂囥€戝彂鐜拌嚜鎴戯紝濡傚疄鍦拌〃鐜拌嚜鎴戯紝浣犺嚜鐒朵細涓轰汉浠墍鍠滄--涓洪偅浜涘皧閲嶄綘鐨勭湡姝ｄ釜鎬х殑浜轰滑鎵€鍠滄銆?/p>

銆愪緥6銆?Where do you expect Shanghai to be in five years?

銆愯瘧鏂囥€戜綘棰勮浠婂悗浜斿勾涓婃捣鐨勫彂灞曠洰鏍囧浣曪紵

缈昏瘧涓嶆槸涓€绉嶈瑷€涓殑璇嶈鍜岃鍙ョ粨鏋勫埌鍙︿竴绉嶈瑷€鐨勮瘝璇拰璇彞缁撴瀯鐨勭畝鍗曡浆鎹紝涔熶笉鏄湪鍙︿竴绉嶈瑷€涓鎵句笌涓€绉嶈瑷€涓绛夌殑璇嶈鍜岃鍙ョ粨鏋勭劧鍚庡皢鍏朵覆鎺ユ垚鍙ョ殑杩囩▼銆傚湪鑻辨眽缈昏瘧涓紝濡傛灉鎶婄溂鍏夌洴鐫€鍘熸枃鐨勮瘝璇拰璇彞缁撴瀯杩欎簺灞炰簬璇█灞傛鐨勪笢瑗匡紝缁撴灉缈昏瘧鍑烘潵鐨勫彧鏄竴绉嶆枃瀛楀眰娆＄殑杞崲锛屽緬鍏峰叾褰紝鍘熸枃鐨勫唴瀹瑰拰鎰忎箟涓嶅彲鑳藉緱鍒板緢濂界殑琛ㄨ揪銆?/p>

缈昏瘧绌剁珶鏄粈涔堝憿?

缈昏瘧鐨勮繃绋嬪氨濂芥瘮浜ら€氬伐鍏风殑鎹箻杩囩▼锛屼袱鑰呬箣闂存湁璇稿鐩镐技涔嬪銆?/p>

浜ら€氬伐鍏锋崲涔樿繃绋嬶細

鍐呭(浜哄憳)

杞戒綋(杩愯緭宸ュ叿1)鍐呭(浜哄憳)

杞戒綋(杩愯緭宸ュ叿2)

缈昏瘧杩囩▼锛?/p>

鍐呭(淇℃伅)

杞戒綋(婧愯)鍐呭(淇℃伅)

杞戒綋(璇戣)

姣旇緝涓よ€咃紝鍏跺叡鍚岀偣鏈夛細

(1)涓よ€呭甫鏈夌浉浼肩殑鐩殑锛?/p>

涓ょ杞崲杩囩▼閮芥槸涓轰簡瀹炵幇鍐呭閫氳繃杞戒綋鐨勫彉鎹粠涓€绔埌鍙︿竴绔殑浼犻€掋€?/p>

(2)涓よ€呭惈鏈夌浉浼肩殑鍩烘湰瑕佺礌锛?/p>

绗竴瑕佺礌鍐呭锛屽湪浜ら€氬伐鍏锋崲涔樿繃绋嬩腑鏄汉鍛橈紝鑰屽湪缈昏瘧杩囩▼涓垯鏄俊鎭€?/p>

绗簩瑕佺礌杞戒綋锛屽湪浜ら€氬伐鍏锋崲涔樿繃绋嬩腑鏄溅杈嗐€佽埞鑸躲€侀鏈虹瓑锛岃浆鎹㈠墠鏄竴绉嶈繍杈撳伐鍏凤紝杞崲鍚庢敼涓哄彟涓€绉嶈繍杈撳伐鍏凤紱鑰屽湪缈昏瘧杩囩▼涓垯鏄瑷€锛岃浆鎹㈠墠鏄簮璇?source language)锛岃浆鎹㈠悗鏄瘧璇?target language)銆?/p>

(3)涓よ€呭叿鏈夌浉浼肩殑鎿嶄綔瑕佹眰锛?/p>

绗竴锛屼袱鑰呴兘瑕佹眰鍐呭涓嶅彉銆?/p>

绗簩锛屼袱鑰呴兘瑕佹眰杩囩▼椤虹晠

寰峰浗璇戝鏁欐巿Wolfram Wilss鍦═he Science of Translation锛歅roblems & Methods涓€涔︿腑璇达細

Translation is not simply a matter of seeking other words with similar meaning, but of finding appropriate ways of saying things in another language. Translating is always meaning-based, i.e. it is the transfer of meaning instead of form from the source language to the target language.(缈昏瘧涓嶅彧鏄湪鍙︿竴绉嶈瑷€涓鎵炬剰涔夌浉浼肩殑鍏朵粬璇嶈锛岃€屾槸瀵绘壘琛ㄨ揪浜嬬墿鐨勯€傚綋鏂瑰紡銆傜炕璇戝缁堢珛瓒充簬璇箟锛屼篃灏辨槸璇达紝鏄涔変粠婧愯鍒拌瘧璇殑杞崲锛岃€屼笉鏄舰寮忋€?

杩欒鏄庝簡缈昏瘧鏄涔夌殑缈昏瘧锛屼笉鏄瑷€褰㈠紡鐨勭炕璇戯紝鏄繍鐢ㄥ彟涓€绉嶈瑷€鐨勯€傚綋鏂瑰紡鏉ヨ〃杈句竴绉嶈瑷€鎵€琛ㄨ揪鐨勫唴瀹癸紝鑰屼笉鏄湪鍙︿竴绉嶈瑷€涓鎵句笌涓€绉嶈瑷€涓惈涔夌浉浼肩殑鏌愪簺璇嶈鎴栫粨鏋勩€傜炕璇戝繀椤昏烦鍑哄師鏂囪瑷€灞傞潰鐨勬潫缂氾紝蹇呴』鐫€鐪间簬浼犺揪鍘熸枃鐨勫唴瀹瑰拰鎰忎箟銆?/p>

鎹㈠彞璇濊锛岀炕璇戠殑鍩烘湰鍗曚綅搴旇鏄绡囷紝鑰屼笉鏄瘝璇粨鏋勩€傛牴鎹郴缁熷姛鑳借瑷€瀛﹀鐨勮鐐癸紝璇█鐨勫疄闄呬娇鐢ㄥ崟浣嶆槸璇瘒杩欐牱鐨勮█璇崟浣嶏紝鑰屼笉鏄瘝璇粨鏋勮繖鏍风殑璇硶鍗曚綅銆傚疄闄呬娇鐢ㄧ殑璇瘒鏈夊彲鑳芥槸涓€涓彞瀛愩€佷竴涓彞娈点€佷竴涓彞缇わ紝涔熸湁鍙兘鏄竴涓瘝璇€傜炕璇戜綔涓鸿瑷€浜ら檯鐨勪竴绉嶅舰寮忥紝鍏跺疄璐ㄦ槸鐢ㄤ竴绉嶈瑷€鐨勮绡囨潗鏂欎唬鏇垮彟涓€绉嶈瑷€涓庡叾鎰忎箟瀵圭瓑鐨勮绡囨潗鏂欍€傜炕璇戞槸杩愮敤涓€绉嶈瑷€鎶婂彟涓€绉嶈瑷€鎵€琛ㄨ揪鐨勫唴瀹瑰拰鎰忎箟鍑嗙‘鑰屽畬鏁村湴閲嶆柊琛ㄨ揪鍑烘潵鐨勮瑷€娲诲姩銆?/p>

II.璇惧爞缁冧範(鍒嗗埆鐢ㄨ瘝璇拰褰㈠紡瀵瑰簲璇戞硶鍜岃涔夎〃杈捐瘧娉曡瘯璇戜笅鍒楀彞瀛愶紝骞舵瘮杈冪炕璇戜腑鐨勬劅瑙夊拰璇戞枃鐨勬晥鏋?锛?/p>

1. It's more a poem than a picture.

2. He drank himself out of the best lines.

3. He pretends to be as modest as anything.

4. Fire goes wherever it can, but it prefers to follow a draft.

5. The room was easily traced by the noise that was coming from it.

6. Taking care to pitch my voice to politeness, I asked about the next bus to Hattiesburg.

7. If you feel depressed at a social gathering, keep it a secret.

8. The bacteria pneumonia may complicate influenza at both extremes of age.

III.璇惧爞缁冧範鍙傝€冭瘧鏂囷細

1.涓庡叾璇撮偅鏄竴骞呯敾锛屼笉濡傝閭ｆ槸涓€棣栬瘲銆?/p>

2.浠栧€熼厭鍐欏緱濂借瘲鍙ャ€?/p>

3.浠栬寰楁瀬涓鸿唉铏氥€?/p>

4.鐏槸鏃犲瓟涓嶅叆鐨勶紝鍙槸瀹冩洿鐖辩獪鍏ラ€氶鐨勫湴鏂广€?/p>

5.寰０鑰屽幓锛屼究杞昏€屾槗涓惧湴鎵惧埌浜嗛偅闂村眿瀛愩€?/p>

6.鎴戦櫔鐫€灏忓績锛岀敤娓╁拰鐨勫彛鍚昏闂紑寰€鍝堣拏鏂牎涓嬩竴鏂戣溅鐨勬儏鍐点€?/p>

7.鍦ㄧぞ浜ゅ満鍚堬紝浣犲氨鏄劅鍒版儏缁帇鎶戯紝涔熶笉瑕佽〃闇插嚭鏉ャ€?/p>

8.鎮ｆ湁娴佹劅鐨勫辜鍎垮拰鑰佷汉鍙兘骞跺彂缁嗚弻鎬ц偤鐐庛€?/p>

IV.璇惧缁冧範(鍒嗗埆鐢ㄨ瘝璇拰褰㈠紡瀵瑰簲璇戞硶鍜岃涔夎〃杈捐瘧娉曡瘯璇戜笅鍒楀彞瀛愶紝骞舵瘮杈冪炕璇戜腑鐨勬劅瑙夊拰璇戞枃鐨勬晥鏋?锛?/p>

1. He wants a lawyer who understands his case, who sympathizes with him and who has been there himself.

2. World-famous for his works he was never personally well known, for throughout his life he avoided publicity.

3. While you are in the act of summoning your energies, focus on a plan. Don't exhaust yourself with fruitless excursions into any and all possibilities.

4. A book may be compared to your neighbor: if it is good, it can not last too long; if bad you can not get rid of it too early.

5. Instead of honoring this sacred obligation, America has given the Negro people a bad check -- a check which has come back marked "insufficient funds".

6. A friend is someone who draws out your own best qualities, with whom you sparkle and become more of whatever the friendship draws upon.

7. To petrol we owe the existence of the motor-car, which has replaced the private carriage drawn by the horse. To petrol we owe the possibility of flying.

8. Because of limited insurance coverage, many people will have to look to their own resources -- both emotional and financial -- to care for an infirm or recovering relative at home.

9. During the last six years, 44 of 60 scholarship winners have been the children of foreigners. the talent search, certainly in this decade, is a tribute as much to immigration as to education.

10. The new architectural styles have become powerful image makers overseas. Two stunning arrivals now gracing Hong Kong's crowded skyline -- the privately-owned Hong Kong & Shanghai Bank building and Bank of China's headquarters -- stand as monuments to the rival economic interests, cultures and ideologies that define the city.