Origins Beijing opera after the Chinese Civil War
Modern Beijing opera Beijingopera around the world
Beijing opera or Peking opera is a form of traditional Chinese theatre which combines music, vocal performance, mime, dance and acrobatics. It arose in the late 18th century and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing Dynasty court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing and Tianjin in the north, and Shanghai in the south. The art form is also enjoyed in Taiwan, where it is known as Guoju. It has also spread to other countries such as the United States and Japan.
Beijing opera features four main types of performers. Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Beijing opera's characteristically sparse stage. They utilize the skills of speech, song, dance, and combat in movements that are symbolic and suggestive, rather than realistic.
Sheng
Dan
Jing
Chou
Training
A male role Lao Sheng player and the founder of TAN Style. He had a sounding reputation. It is said the all Lao Sheng players at his time were following his styles. The imitation of his arias could be heard across the street everywhere.
A male role Lao Sheng player and the founder of the MA Style. He was a graduate of the famous Beijing Opera training school Xi Lian Cheng.
A Lao Sheng player and the founder of YAN Style. He had been a famous Beijing Opera amateur before he formally became an opera actor.
female role Qing Yi player. Born in Nan-Gong of Hebei Province, He entered the "Triple Happiness Opera School" and was trained first to be a "Wu Sheng" and later "Qing Yi".
A Qing Yi player. Born in 1904 and died in 1958. His playing style was recognized as CHEN Style. His voice became narrow and muffled when he was in his teen.
A Qing Yi and Hua Dan player and his performing style was entitled XUN Style. He, along with MEI, SHANG and CHEN, is regarded as one of the Four Great Female Role Players.
A female role Qing Yi performer. His style is recognized as ZHANG Style. His plays include " River-Facing Paguda",